Y&G Singles Club
Was Artie gone for good? I guess we couldn’t know. But one thing was for sure, a part of Artie will always be with us; watching over us, like the heroes in our dreams, like the stars in the sky…
Was Artie gone for good? I guess we couldn’t know. But one thing was for sure, a part of Artie will always be with us; watching over us, like the heroes in our dreams, like the stars in the sky…
Stuttering IDM beats, 8-bit chiptune blasts, and opiate tranquility.
Hazy synths and samples melt and swirl over electronic drumbeats in an intricate musical braid
A phone call from 1976 stuck in the telephone lines feeding back on itself until it could one day be freed by the brothers Flight and their sonic invocation.
An instrumental affair set adrift among celestial wonders.
On their maiden voyage, Arthurian Honey comes out swinging with a delicate A-side washed out in cozy psychedelia dovetailed with an explosive and perfectly crafted barn burning B-side.
Yards & Gods Compilation Volume 2 introduces some fresh blood with Burger Kingdom, Cpt. Captain, Flight, & Ptarmigan, as well as some exclusive tracks by Y&G family members you’ve already met.
After what seems like an eternity of fevered anticipation, Burger Kingdom finally drop Shugazi, a six track mission statement for the brothers Kingdom, and the soundtrack to your summer.
What’s initially striking about Columbia, Mo.’s Nonreturner is how their music reverberates with the stately, supernatural beacons of the world’s iconic mysteries—this could be a perfect soundtrack for a trip to a Mayan pyramid or a voyage through the Bermuda Triangle.
Shadow Sea is the soundtrack to a world on fire, mankind’s last transmissions garbled into a ghostly howl. Static and fuzz sing harmony to caterwauling and often rhythmic mangled samples.
“Barely standing by the north sea my ancient friends are all waking up”. The album sees influences from bands such as Grizzly Bear and “This is a Long Drive With Nothing To Think About”-era Modest Mouse.
Compiling nearly two years of handcrafted compositions into a work of astonishing sensitivity and vision, McFarland ably spans the gamut from predictably Eno-entrenched ambiance, robust, melodic stomp and ragged, Crazy Horse dirge, crafting found sounds, live instruments, and electronic onomatopoeia into things that breathe.
Ursus Arctos’ self titled debut is the sound of a well polished machine – a battering ram of both balls out rock jams and thoughtful intricacies.
In Dark Trees Have Gone Static EP, released in 2008.
In this collection, you’ll find works of high science fiction that I’ve heard people liken to Heinlein or Vonnegut, darkly comedic and vaguely cinematic stories one might imagine came from the mind of Wes Anderson, and everything in between.
The second album from American ambient recording artist In Dark Trees, released in 2009.
Columbia, MO arts collective and “anti-record label”‘s inaugural compilation album featuring founding members In Dark Trees, Makeouts, Nonreturner, Prize Wolf, and Ursus Arctos.
Rather than being submerged underwater, The Barn Owl EP dwells on the land. It feels like a quiet jam in a childhood bedroom after a few clandestine bong hits.